Artist Statement

My artistic practice focuses on neon as my medium and the process of crafting this unique material. My work draws from nature, architecture, history, culture and the world around me, pulling from patterns, colors, and textures. From early on I’ve heard repeatedly I’m in a dying trade, whether that’s true or not, it's made me hyper aware of the crafts and trades that have already disappeared or are equally in danger to in the future. The crafts and trades that are imbued with an ethos and values that seem to be disappearing: (slow processes, unautomated, well-made, manual labors of love.) This is a unifying theme of my work to highlight and appreciate the elements of life and the subjects that don’t fit into today’s sense of immediacy in our increasingly fast-paced, technological world. 

The pieces I create range from abstract works focusing on pattern, color relationships and an emotional reaction I aim to invoke; and representational works that focus on the meaning behind what is pictured while simultaneously focusing on craft and technical ability. Always keeping neon as the focal point. With a strong background in drawing and painting I use these practices to record and plan out concepts, compositions and color relationships.

The process of glass bending is one that can only be learned through extensive time in the fires. You’re immediately introduced to the concept of detachment, as anything you make can (especially starting out) get stressed and break and you’d need to start over regardless of how many hours you put into it. It’s a making process that requires a calm zen-like approach; you can’t muscle it, rush it or force your way through. The process itself cultivates patience, focus, adaptation, acceptance and finally accomplishment. The kind of accomplishment you only get from working with all your available faculties and bringing an object into existence through dedicated effort and love.